Sunday, November 15, 2015

A Turn

A single channel video with sound and photographs
HD 1920x1080, Stereo
Six minutes thirty seconds
Voice and sound: Palash Bhattacharjee
ONLY CONNECT- EDITION 3,  Daily Star Bengal Arts Precinct Gallery, Dhaka, 2015.

The changing skyline, impacting the weather and my own sense of reality, which has been overwhelmed by the changing urban sites, informs this video, which captures an experiential reality. I was instantly stimulated by the sight of coming rain seen through a small rented home on a top tower in Shahbag, Dhaka. I often scanned the skyline from the window of this rented home. The video had taken a while to make as it was based on a single shot view of changing weather, which frequently encourages my spirit. That spirit also redefined my own voice and came out in a repetitive chant. In a momentary lapse of reason, my mood was turned into a cosmic sense of reality.

Text edited by Mustafa Zaman




Exhibition Image


A Turn from Palash Bhattacharjee on Vimeo.


The book of 'A turn', process shots, 5 pages photographs book,  each print size: 32cmx21cm



Monday, May 18, 2015

A Drought


Installation with two channel video and audio
First show at National Art Exhibition 2015,
National Art Gallery, Bangladesh Shilpakala Academy, Dhaka.
Duration: 4 Minutes 24 Seconds 




Image taken from National Art Gallery, Shilpakala Academy, Dhaka.

The project formulated from some functions of the everyday life experiences. How is life with these incidents?   I translated my thoughts into performance with some of common objects which are affected on my own everyday life. 
I took some of habitual functions from our daily life. In one of the videos I threw talcum powder on my body and in the second one I recorded a  shadow of talcum powder box where I try to throw  powder with hits. In the other part of that  installation I used a live FM radio with microphone noises and use spread a Shital Pati (local mat) on the floor, where also have a folding shirt, talcum powder.  In the other side I kept some cosmetics boxes and a table fan.






Video still

The 3D layouts for installation 



Installation plan with projectors

Installation plan with T V/ monitors





Sunday, January 18, 2015

Stuck on Step...

1 mile² Dhaka 2014, A public art project in the older part of Dhaka City
Four screen video installation
A dual channel video series 
Organized by Britto Arts Trust 
Supported by Arts Collaboratory, the Netherlands. 


















































Presently, old Dhaka is a busy space for vendors. Alongside, there are still traditional cultural practices in the daily lives of old Dhaka people. Old Dhaka is culturally different from other parts of Bangladesh. There is a cultural harmony where the people live their everyday lives. They always have different responses to the intention of visitors to the heritage buildings in old Dhaka. Some are occupied by vendors, businessmen, or settlers. My project was based on my own attention to the heritage buildings, which keep socio-cultural harmony in old Dhaka. My attention is drawn to the wooden staircases of Ruplal House, Baro Bari, Bulbul Academy for Fine Arts (BAFA), and the location of Pance Bari in old Dhaka. The project was a two-channel series of video works on some performative actions, which are taken from my own collective actions within those different places. Besides, I have achieved my own view of those places in the spirit of historical and socio-cultural aspects. Thus, I have proceeded with my temporary role in the attention of public sentiments in old Dhaka. I reactively tuned myself to the present position of old Dhaka.

 Outcome

In the double channel video series, I climbed the wooden stairs and came down, making sounds. Aside from that, the surrounding scenes (Ruplal House, Baro Bari, and Bulbul Academy for Fine Arts) were visible in these videos.

I chose Panch Bari's dark and dusty entrance for the installation of my video works, which is always open to the public.Lots of vendors were selling their commodities near the entrance of Panch Bari. During the show, everybody came to see my project, frankly. I installed the video works on both sides of the entrance room. In one corner below, I installed a two-channel video with a Tulashi tree, which belongs to Panch Bari as a traditional representation, and in another part of that entrance room, a dual-channel video series was installed, which was performed on the wooden staircases of Ruplal House, Bulbul Lalitkala Academy, and Baro Bari. I lit pradip (earthen lamps) in the evening, which represents both cultural and religious Bengali tradition.

About the Steps of Ruplal House

The first one was performed on the wooden staircases of Ruplal House, located at B K Das Lane in Farashganj. Ruplal House is a grand 19th century building or mansion in Old Dhaka. It was initially owned by Dhaka's  Armani landlord, Aratun, and later bought and erected jointly by two Hindu prosperous merchant brothers named Ruplal Das and Raghunath, sons of Swarup Chandra, on the northern bank of Buriganga, overlooking a riverfront walkway in the Farashganj district of old Dhaka. Presently it’s occupied by vendors and non-commissioned rank army people.

Bulbul Lalitakala Academy's (BAFA) Next Step

The second performance on the wooden staircases of Bulbul Lalitakala Academy Locals say British civil surgeon Dr. Weis later bought the house built by Pogose and so it is also known as Weis House. Bulbul Lalitakala Academy has been using the house since 1955.

About the Step of Baro Bari:

The third performance will be on the wooden staircase of Baro Bari, which is situated at 45 B.K. Dash Lane. It was built more than 100 years ago. Zamindar Prasanno Babu was the original owner of this residence. Presently occupied by carpenters and vendors.

About the Step of Panch Bari

Panch Bari is not announced as a heritage building, but its old building and old Hindu family traditionally belong to old Dhaka culture. The last video recorded my footsteps and followed the view of the Panch Bari area. Panch Bari means "five family home", which is over 100 years old. The businessman, Gokul Chandra Saha, and his son, Bakul Chandra Saha, developed their properties. Although a part of their family migrated to India in 1947 and 1971 at the time of the liberation war of Bangladesh. Presently, its owner, Nokul Chandra Saha, and his nephew, Modhusudan Dey, take care of the home.

Dual Channel Video Series 'Stuck on Step...' Ruplal House,  Bulbul  Lalitakala Academy and Baro Bari 


video sample

Stuck on Step... from Palash Bhattacharjee on Vimeo.


Dual Channel Video 'Stuck on Step...'Panch Bari
video sample
Stuck on Step... from Palash Bhattacharjee on Vimeo.








Image Credit: Ali Asgar
Kehkasha Sabah
And Britto Arts trust

***Old Dhaka (Puran Dhaka) is a term used to refer to the historic old city of Dhaka, the capital of modern Bangladesh. It was founded in 1608 as Jahangir Nagar, the capital of Mughal Bengal. It was one of the largest and most prosperous cities of the Indian subcontinent and the center of the worldwide Muslin trade. The Nawab of Bengal shifted the capital from Dhaka to Murshidabad in the early-1700s. With the rise of British Calcutta, Dhaka began to stagnate and came to be known as the "City of Magnificent Ruins". The British however began to develop the modern city from the mid-19th century.

Saturday, December 20, 2014

Good Morning

Cheragi art project 
Cheragi Pahar Lane at Chittagong, 2014
Dual channel video with sound
Television, projector, newspapers.
Organized by Jog Art Space


images - video Installation at Chearagi Lane











Cheragi Lane is a busy area in Chittagong which is almost popular for press, newly established Bank, Garments factory and this is a center of newspapers’ offices. Alongside, this part is surrounded by residential area. This place is also popular as a conversational spot of the city where people of different ages and profession gather.

The newspaper hawkers who distribute newspapers throughout Chittagong city collect those papers from Cheragi Lane, they come first at Cheragi in every morning. This remains very busy for three to four hours in the early morning. They come quickly and go for two or three times in Cheragi Lane for collecting different newspapers to serve their clients. Most of them use the bicycle for distributing papers.  I was there with my camera to record the video of those busy moments and connect myself to the part of their job.

It was a significant morning of everyday life in Cheragi Lane which remains unseen from regular busy time. I uncovered these busy moments which happen in every morning at Cheragi.  I asked some of them (who looked interested in speaking in their busy moments) their name, serving area and their mobile number.

Then I presented the two-channel videos in the same place during the show. One of the videos presented the documentation using a projector with a screen, and the other one showed texts on a monitor where I mentioned their names, areas of service, and mobile numbers to provide newspaper service for the public. In an unusual way, I serve their contacts for newspaper service. The audience who watched the video could keep their contact number to contact them.




Videos detail 


video sample


Wednesday, December 10, 2014

Twist

Performance
16th Asian Art Biennale Bangladesh 2014
National Art Gallery, Shilpakala Academy,
Dhaka, Bangladesh
December 1, 2014.


It is one of my sound oriented performances where I used sound and microphone.  At first, I broke some bricks using hammer and made the noise hear to the audiences using microphone. Then I sprinkled some talcum powder on the dust of bricks. At the same time, I was coughing.  After sprinkling powder, I blew the dust using electric blowers with sound and noise. This performance is a reaction to the power of political upheaval. 







Twist from Palash Bhattacharjee on Vimeo.

Wednesday, October 22, 2014

Nocturnal

Blueroof art community,Hetangyuese, JingJiang district, Chengdu, Sichuan, China.
September 19 -- October 31, 2014
http://www.swpassart.com/news/201410/153_203.html








I communicated with audiences of the exhibition space of Chengdu, China from my country . I have a series of photographs of night which I took with digital camera, android  phone camera, video camera.  I sent  350 selected images for exhibition. I offered audiences to exchange their views about night and asked them to send their photographs of night, I also offered them to  take any of the printed images of my exhibition. I accepted all the  images of audiences who have taken photos with iPhone, mobile phone or any kind of camera. I drafted my hand-written offer for exhibition which is translated in Chinese and displayed with my works.

Although I have no experience of the audiences of Chengdu, I connected myself through particular visual experiences.  Some of the audiences sent me their night visions expressing through images. In this way, the activities of the 'Nocturnal' became a phenomenon which could excite our spirit. Night is dark, but it's not absolute- we are able to continue our journey in that darkness. My 'Nocturnal' is a kind of journey. If  people feel the motivation to carry on that journey with me, it's a chance to communicate with those people from every corner.






Image sample- 'Nocturnal' (which I have taken)
赵萌 (zhaomeng996@gmail.com) 
等 (1051602216@qq.com)

Image sample- 'Nocturnal ((Exchange photographs from Chinese audiences)



Sunday, June 22, 2014

drop the matter please

Single Channel Video Installation with sound
3 Minutes 48 Seconds 
First Show at Young  Artists Art Exhibition 2014
National Art Gallery, Shilpakala Academy, Dhaka, Bangladesh.

Some events of my childhood,
I wanted to play some games that others play but did not know how to play or could not play that game. Some toys were so attractive to me that I could spend a whole day only with those toys without disturbing others or without being disturbed. I could throw those toys on stairs or on the floor. I got the idea of this video from those unfulfilled desires. Still, those memories inspire me to live the life in the midst of limitless suffering, lacking and dissatisfaction.

I made the part of this video project ‘Drop the Matter Please’ in a bit unclear, soft light to projection on terrace floor.

drop the matter please from Palash Bhattacharjee on Vimeo.

I made another part of ‘drop the matter’  in 2011 taking the scene and sound of dropping marbles from stairs, which I presented in 2012 in Dhaka Art Summit.






Image 19th Young Artists Art Exhibition, National
Art Gallery, Shilpakala Academy, Dhaka, Bangladesh 2014


Untitled

Performance
Shilpakala Academy Chittagong,  Bangladesh
December  21,  2013

 http://vimeo.com/98241383
Untitled from Palash Bhattacharjee on Vimeo.


The performance dedicated to martyred of Liberation War of 71 in Bangladesh. The performance event named '71 Minutes and 16 Seconds' which is actually inspired by date 16 December, 1971.  The year, 2013 was a special year for (Shahbag protest: http://en.wikipedia.org/wiki/2013_Shahbag_protests) the trial of war criminals. Though I expressed my solidarity with the movement, I was reacting with the activities about the chaos of political propaganda which is actually creating difficulties against peoples’ claim for trial of war criminal.







 In my activity, I broadcasted my recorded voice where I announce the name of Pakistani armies and their Bangladeshi collaborators who are accused of war crime.  I threw talcum powder on the floor of gallery. Then I was cuffing and I broadcasted it on the microphone. When the talcum powder  was finished I cleaned the dust and powder using a blower and broadcasted noise of blower  highly loaded using the microphone.


Friday, October 18, 2013

Wastage Abstract

Site-specific Project
Cheragi Art Show 2013
Open Space at Cheragi Lane, Chittagong, Bangladesh
Organized by Jog Alternative Art Space





Cheragi Lane is well known area for printing press. I had a plan to create art activities from my temporary involvement with press. I selected the area, because here people are involved with press for their live and livelihood. I took videos of some presses and press equipped areas of Cheragi Lane. I recorded the process of printing. I collected the left over parts of different kinds of publications like leaflets, booklets, posters, newspapers, magazines etc.Then, I made posters with them, use the wasted parts of publications.

After completing the collage posters I pasted them on the wall of Cheragi Lane with my installation and some area of Cheragi Lane. In installation I used a huge of wastage papers from the presses. I installed dual channel videos- one of them showed press machine’s working and the other one shows the place of cheragi where presses held. I installed the work near the press office of Cheragi Lane.
Dual channel video sample 
Wastage Abstract from Palash Bhattacharjee on Vimeo.

Images of installation