Wednesday, April 4, 2018

Marked 18

Performance, 3 February 2018,
Venue: Faculty of Fine Arts,University of Dhaka 
The final exhibition of the project ShohorNama, Daily Star-Bengal Arts Precinct
2 March - 16 March, 2018



This is part of a series of sound-oriented performance works.'Marked' could be away from the humanistic approach where machines are advancing to assert their existence. They could mark their own memory and sensory powers.  No significant humanistic sense is attached or detached with the activities of the performance.










Sunday, July 30, 2017

Unlock!

Three channel video installation, 2017
First show: 22nd National Art Exhibition, National Art gallery, Shilpakala Academy, Dhaka 2017.

In this three channel video work, I captured some awareness procedures of our day to day life which are connected to personal entrance or intrusion to anywhere. Through this repetitive performative act, with the mass awareness and safety related experiences, person's psychic repression is expressed. In the first one, the act of knocking door is present. In second, shows the locking of the door. The third, entering and exiting by opening a door and closing the door is shown.


Unlock! from Palash Bhattacharjee on Vimeo. sample of the three channel video work








Sunday, February 19, 2017

ইতিহাস আলাপ ( Coursing through History )

Two channel video installation
Exhibition: 17th Asian Art Biennale,
National Art Gallery, Shilpakala Academy,
Dhaka, Bangladesh. December 2016.



























































Coursing through History could be seen as a reaction against the naturalized legacy of the colonial past which, needless to say, spilled over into the scattered and fragmentary readings of the Liberation war of Bangladesh. This audio-visual work comprises a double channel video with one screen showing the wounding of books with a ball point while the other captures an acceleration of the speed of reading both in image and sound; in essence, an analogy for destabilizing the grand historical narratives by vandalizing the textual composition of the pages of history.
Text edited by Sharmillie Rahman























Video still, ইতিহাস আলাপ ( Coursing through History ) 2016



Video sample



Friday, February 17, 2017

Marked

Ephemeral Perennial
Mixed-media installation
Materials: Photographs, electric blower, hammer, video, micro phone devices 
6 January to 20 February, Daily Star-Bengal Arts Precinct, Dhaka, 2017 
Curated by Mahbubur Rahman and Tanzim Wahab 
Performance: 27 December 2016













Photo



Image: Ephemeral Perennial Exhibition
 Daily Star-Bengal Arts Precinct, Dhaka, 2017 
















Image: Performance 'Marked' at Bengal Galley of Fine Arts, 27 December 2016. Image courtesy: Bengal Foundation 




Photo courtesy: Bengal Arts Programme, Bengal Foundation












Technology is advancing rapidly, asserting their existence. They have the ability to make memories and develop sensory powers. The results of their actions matter little to them. Even non-action doesn’t bother them. Their functions are not attached nor detached to human emotions or concerns
Marked is a study of one such hypothetical situation where I’m trying to make visible, information that is invisible.
This is part of a series of sound-oriented works, where I work with making the audible visible.



Marked from Palash Bhattacharjee on Vimeo.
Video courtesy: Bengal Foundation 

Marked from Palash Bhattacharjee on Vimeo.


Saturday, November 5, 2016

Broadcasting

Three channel video installation
Three minutes loop.
video produced at 2014
Show: ‘আত্ম/পরিচয়’ Self/Identity
Bangladesh National Museum, Nalinikanta Bhattasali Gallery, Dhaka, 2016.
Curated by Wakilur rahman and Kehkasha Sabah



Through the three channel video, the inversion of linearity of the following structure speaker-speech-sense has been highlighted. Here the inability prevailing over the world is pointed out. As a matter of fact, the speakers' a type of inversion has been exposed in the three channel video. It seems that being in the midst of contiguity and remoteness the speaker becomes egocentric and psychopath.

I picked three common functions from my everyday life. I performed these functions loudly using the microphone. I recorded these videos with the noise of sound of the performance. In the first one, I was coughing. In the middle video, I was hushing to express my disapproval of some annoyance.  I was responding to other things to show my approval.

















A Broadcasting, three channel video installation with sound at Bangladesh National Museum, Nalinikanta Bhattasali Gallery, Dhaka, 2016.















Saturday, June 11, 2016

as a matter of fact

Single-channel video with sound
Materials: Projector, sound, marble
2 minutes 22 seconds loop, 2015
Show: Young Art Exhibition 2016
at National Art Gallery, Shilpakala Academy, Bangladesh.






























Photo credit: Mohidul Haque

*** This work is a part of my series work I made 1st part of ‘drop the matter’ in 2011 taking the scene and sound of dropping marbles from stairs, which I presented in 2012 in Dhaka Art Summit. Other parts 'drop the matter please' projected on the floor at 19th young artist art exhibition 2014, Shilpakala Academy, Dhaka.
In this part of the video, I threw some marbles on the wall and recorded the scene of hitting marbles several times with my camera. 
Some events of my childhood, I wanted to play some games that others play but did not know how to play or could not play that game. Some toys were so attractive to me that I could spend a whole day only with those toys without disturbing others or without being disturbed. I could throw those toys on the wall or on stairs or on the floor. This video from those unfulfilled desires.
video

as a matter of fact from Palash Bhattacharjee on Vimeo.

Saturday, February 6, 2016

Filter

Two channel video installation with sound, 2015,
Two minutes twenty nine seconds,loop,
Samdani Art Award Exhibition at Dhaka Art Summit,
Curated by Daniel Baumann
National Art Gallery, Bangladesh Shilpakala Academy, Dhaka, 2016.

The videos are inspired by some common events linked to everyday life which are used in a repetitive way to re-emphasize the meaning of our mundane acts. One of the videos disorganizingly brings to the fore falling dusty books at the time of reorganizing them. Another one shows relentless flicking of hands like a rhythmic clapping. These activities hover over the idea of self-inquiry and transpose the two set of physical actions with the intention to build a narrative which neither has a beginning nor an end. Though ambiguous in their expression, the two experiences are an enactment of a subtext which lies underneath the particular mundane actions they bring into view.
Text edited by Mustafa Zaman

















Photo credit: Mizanur Rahman Sakib and Mohidul Haque

 Two channel video installation with sound, Samdani Art award Exhibition at Dhaka Art Summit, National Art Gallery, Bangladesh Shilpakala  Academy,  2016.

Video Sample

Filter, two channel video installation from Palash Bhattacharjee on Vimeo.


Palash Bhattacharjee's performative prank

The two channel video playing two separate yet interlinked footages set on a repetitive mode in the installation Palash Bhattachrjee has conceived for this edition of DAS takes sound as an integral element. So this complex of a work commences first as a site to project a slice-of-life only to initiate further unfolding of layers, thereby plunging the viewers into the abyss of an existential inquiry – is the end a new beginning?
As a witness one experiences the experiencing of a simple act of discarding old books. Some even lie on the floor as an extension of the 'reel' into the 'real'. The work is a reenactment of an event in life sliced into pieces – the dusting hands on the right channel tentatively liaise with the left panel where books are showered on the floor to imply the act of disowning. Thematically the videos represent two consecutive sequences of the same act. However, in the final iteration their avoidance of any affectation – visual qualities generated through digital means – they candidly forward a double bill of an idea. The work makes one look at 'time' as an arbiter of life and also delineates its rhythm in the represented end of a chapter in the life of a book lover.
Though there is no apparent dilemma visible in the video works about the disposal of books, through the rhythms of the moving hands and pouring books there emerge ambiguity – though the sense of urgency for renewal, too, is something that never escapes the mind.
In the Indian tradition of thoughts time is circular – never-ending, as such the end is always perceived as a new beginning. The Greek word 'telos' also variously stands for end-goal-purpose. In Palash's presentation perhaps purposefulness is evoked by a seemingly purposeless performance of dumping one's collection of books.

Depart's pick from the Samdani Art Award 
Depart Magazine, page 78,  Issue 21, Volume 7, July-December, 2016, ISSN 2310-6832



Friday, December 25, 2015

Don't Sit Here...

Double Channel Video
Show: Unfold, Cheragi Art Show edition 4, Curated by Zihan Karim, 2015
Cheragi Lane, Chittagong, Bangladesh


This is a small place under construction and new-constructed. This double channel video derived from the realization of those conjectures. Here, one of those videos is comprised of the busy shops of Cheragi Circle and small walls in front of the Press Office and the other one is presented with the pictures of the broken walls. Beside this, the nasal sound of my voice uttering 'না...'(Bengali pronounced 'Naa' means No)  has been added in the background of the two videos.

Video sample


Detail video


Don't Sit Here... from Palash Bhattacharjee on Vimeo.


Don’t Sit Here… from Palash Bhattacharjee on Vimeo.



Sunday, November 15, 2015

A Turn

A single channel video with sound and photographs
HD 1920x1080, Stereo
Six minutes thirty seconds
Voice and sound: Palash Bhattacharjee
ONLY CONNECT- EDITION 3,  Daily Star Bengal Arts Precinct Gallery, Dhaka, 2015.

The changing skyline, impacting the weather and my own sense of reality, which has been overwhelmed by the changing urban sites, informs this video, which captures an experiential reality. I was instantly stimulated by the sight of coming rain seen through a small rented home on a top tower in Shahbag, Dhaka. I often scanned the skyline from the window of this rented home. The video had taken a while to make as it was based on a single shot view of changing weather, which frequently encourages my spirit. That spirit also redefined my own voice and came out in a repetitive chant. In a momentary lapse of reason, my mood was turned into a cosmic sense of reality.

Text edited by Mustafa Zaman




Exhibition Image


A Turn from Palash Bhattacharjee on Vimeo.


The book of 'A turn', process shots, 5 pages photographs book,  each print size: 32cmx21cm



Monday, May 18, 2015

A Drought


Installation with two channel video and audio
First show at National Art Exhibition 2015,
National Art Gallery, Bangladesh Shilpakala Academy, Dhaka.
Duration: 4 Minutes 24 Seconds 




Image taken from National Art Gallery, Shilpakala Academy, Dhaka.

The project formulated from some functions of the everyday life experiences. How is life with these incidents?   I translated my thoughts into performance with some of common objects which are affected on my own everyday life. 
I took some of habitual functions from our daily life. In one of the videos I threw talcum powder on my body and in the second one I recorded a  shadow of talcum powder box where I try to throw  powder with hits. In the other part of that  installation I used a live FM radio with microphone noises and use spread a Shital Pati (local mat) on the floor, where also have a folding shirt, talcum powder.  In the other side I kept some cosmetics boxes and a table fan.






Video still

The 3D layouts for installation 



Installation plan with projectors

Installation plan with T V/ monitors





Sunday, January 18, 2015

Stuck on Step...

1 mile² Dhaka 2014, A public art project in the older part of Dhaka City
Four screen video installation
A dual channel video series 
Organized by Britto Arts Trust 
Supported by Arts Collaboratory, the Netherlands. 


















































Presently, old Dhaka is a busy space for vendors. Alongside, there are still traditional cultural practices in the daily lives of old Dhaka people. Old Dhaka is culturally different from other parts of Bangladesh. There is a cultural harmony where the people live their everyday lives. They always have different responses to the intention of visitors to the heritage buildings in old Dhaka. Some are occupied by vendors, businessmen, or settlers. My project was based on my own attention to the heritage buildings, which keep socio-cultural harmony in old Dhaka. My attention is drawn to the wooden staircases of Ruplal House, Baro Bari, Bulbul Academy for Fine Arts (BAFA), and the location of Pance Bari in old Dhaka. The project was a two-channel series of video works on some performative actions, which are taken from my own collective actions within those different places. Besides, I have achieved my own view of those places in the spirit of historical and socio-cultural aspects. Thus, I have proceeded with my temporary role in the attention of public sentiments in old Dhaka. I reactively tuned myself to the present position of old Dhaka.

 Outcome

In the double channel video series, I climbed the wooden stairs and came down, making sounds. Aside from that, the surrounding scenes (Ruplal House, Baro Bari, and Bulbul Academy for Fine Arts) were visible in these videos.

I chose Panch Bari's dark and dusty entrance for the installation of my video works, which is always open to the public.Lots of vendors were selling their commodities near the entrance of Panch Bari. During the show, everybody came to see my project, frankly. I installed the video works on both sides of the entrance room. In one corner below, I installed a two-channel video with a Tulashi tree, which belongs to Panch Bari as a traditional representation, and in another part of that entrance room, a dual-channel video series was installed, which was performed on the wooden staircases of Ruplal House, Bulbul Lalitkala Academy, and Baro Bari. I lit pradip (earthen lamps) in the evening, which represents both cultural and religious Bengali tradition.

About the Steps of Ruplal House

The first one was performed on the wooden staircases of Ruplal House, located at B K Das Lane in Farashganj. Ruplal House is a grand 19th century building or mansion in Old Dhaka. It was initially owned by Dhaka's  Armani landlord, Aratun, and later bought and erected jointly by two Hindu prosperous merchant brothers named Ruplal Das and Raghunath, sons of Swarup Chandra, on the northern bank of Buriganga, overlooking a riverfront walkway in the Farashganj district of old Dhaka. Presently it’s occupied by vendors and non-commissioned rank army people.

Bulbul Lalitakala Academy's (BAFA) Next Step

The second performance on the wooden staircases of Bulbul Lalitakala Academy Locals say British civil surgeon Dr. Weis later bought the house built by Pogose and so it is also known as Weis House. Bulbul Lalitakala Academy has been using the house since 1955.

About the Step of Baro Bari:

The third performance will be on the wooden staircase of Baro Bari, which is situated at 45 B.K. Dash Lane. It was built more than 100 years ago. Zamindar Prasanno Babu was the original owner of this residence. Presently occupied by carpenters and vendors.

About the Step of Panch Bari

Panch Bari is not announced as a heritage building, but its old building and old Hindu family traditionally belong to old Dhaka culture. The last video recorded my footsteps and followed the view of the Panch Bari area. Panch Bari means "five family home", which is over 100 years old. The businessman, Gokul Chandra Saha, and his son, Bakul Chandra Saha, developed their properties. Although a part of their family migrated to India in 1947 and 1971 at the time of the liberation war of Bangladesh. Presently, its owner, Nokul Chandra Saha, and his nephew, Modhusudan Dey, take care of the home.

Dual Channel Video Series 'Stuck on Step...' Ruplal House,  Bulbul  Lalitakala Academy and Baro Bari 


video sample

Stuck on Step... from Palash Bhattacharjee on Vimeo.


Dual Channel Video 'Stuck on Step...'Panch Bari
video sample
Stuck on Step... from Palash Bhattacharjee on Vimeo.








Image Credit: Ali Asgar
Kehkasha Sabah
And Britto Arts trust

***Old Dhaka (Puran Dhaka) is a term used to refer to the historic old city of Dhaka, the capital of modern Bangladesh. It was founded in 1608 as Jahangir Nagar, the capital of Mughal Bengal. It was one of the largest and most prosperous cities of the Indian subcontinent and the center of the worldwide Muslin trade. The Nawab of Bengal shifted the capital from Dhaka to Murshidabad in the early-1700s. With the rise of British Calcutta, Dhaka began to stagnate and came to be known as the "City of Magnificent Ruins". The British however began to develop the modern city from the mid-19th century.

Saturday, December 20, 2014

Good Morning

Cheragi art project 
Cheragi Pahar Lane at Chittagong, 2014
Dual channel video with sound
Television, projector, newspapers.
Organized by Jog Art Space


images - video Installation at Chearagi Lane











Cheragi Lane is a busy area in Chittagong which is almost popular for press, newly established Bank, Garments factory and this is a center of newspapers’ offices. Alongside, this part is surrounded by residential area. This place is also popular as a conversational spot of the city where people of different ages and profession gather.

The newspaper hawkers who distribute newspapers throughout Chittagong city collect those papers from Cheragi Lane, they come first at Cheragi in every morning. This remains very busy for three to four hours in the early morning. They come quickly and go for two or three times in Cheragi Lane for collecting different newspapers to serve their clients. Most of them use the bicycle for distributing papers.  I was there with my camera to record the video of those busy moments and connect myself to the part of their job.

It was a significant morning of everyday life in Cheragi Lane which remains unseen from regular busy time. I uncovered these busy moments which happen in every morning at Cheragi.  I asked some of them (who looked interested in speaking in their busy moments) their name, serving area and their mobile number.

Then I presented the two-channel videos in the same place during the show. One of the videos presented the documentation using a projector with a screen, and the other one showed texts on a monitor where I mentioned their names, areas of service, and mobile numbers to provide newspaper service for the public. In an unusual way, I serve their contacts for newspaper service. The audience who watched the video could keep their contact number to contact them.




Videos detail 


video sample


Wednesday, December 10, 2014

Twist

Performance
16th Asian Art Biennale Bangladesh 2014
National Art Gallery, Shilpakala Academy,
Dhaka, Bangladesh
December 1, 2014.


It is one of my sound oriented performances where I used sound and microphone.  At first, I broke some bricks using hammer and made the noise hear to the audiences using microphone. Then I sprinkled some talcum powder on the dust of bricks. At the same time, I was coughing.  After sprinkling powder, I blew the dust using electric blowers with sound and noise. This performance is a reaction to the power of political upheaval. 







Twist from Palash Bhattacharjee on Vimeo.