Friday, December 25, 2015

Don't Sit Here...

Double Channel Video
Show: Unfold, Cheragi Art Show edition 4, Curated by Zihan Karim, 2015
Cheragi Lane, Chittagong, Bangladesh


This is a small place under construction and new-constructed. This double channel video derived from the realization of those conjectures. Here, one of those videos is comprised of the busy shops of Cheragi Circle and small walls in front of the Press Office and the other one is presented with the pictures of the broken walls. Beside this, the nasal sound of my voice uttering 'ржиা...'(Bengali pronounced 'Naa' means No)  has been added in the background of the two videos.

Video sample


Detail video


Don't Sit Here... from Palash Bhattacharjee on Vimeo.


Don’t Sit Here… from Palash Bhattacharjee on Vimeo.



Sunday, November 15, 2015

A Turn

A single channel video with sound and photographs
HD 1920x1080, Stereo
Six minutes thirty seconds
Voice and sound: Palash Bhattacharjee
ONLY CONNECT- EDITION 3,  Daily Star Bengal Arts Precinct Gallery, Dhaka, 2015.

The changing skyline, impacting the weather and my own sense of reality, which has been overwhelmed by the changing urban sites, informs this video, which captures an experiential reality. I was instantly stimulated by the sight of coming rain seen through a small rented home on a top tower in Shahbag, Dhaka. I often scanned the skyline from the window of this rented home. The video had taken a while to make as it was based on a single shot view of changing weather, which frequently encourages my spirit. That spirit also redefined my own voice and came out in a repetitive chant. In a momentary lapse of reason, my mood was turned into a cosmic sense of reality.

Text edited by Mustafa Zaman




Exhibition Image


A Turn from Palash Bhattacharjee on Vimeo.


The book of 'A turn', process shots, 5 pages photographs book,  each print size: 32cmx21cm



Monday, May 18, 2015

A Drought


Installation with two channel video and audio
First show at National Art Exhibition 2015,
National Art Gallery, Bangladesh Shilpakala Academy, Dhaka.
Duration: 4 Minutes 24 Seconds 




Image taken from National Art Gallery, Shilpakala Academy, Dhaka.

The project formulated from some functions of the everyday life experiences. How is life with these incidents?   I translated my thoughts into performance with some of common objects which are affected on my own everyday life. 
I took some of habitual functions from our daily life. In one of the videos I threw talcum powder on my body and in the second one I recorded a  shadow of talcum powder box where I try to throw  powder with hits. In the other part of that  installation I used a live FM radio with microphone noises and use spread a Shital Pati (local mat) on the floor, where also have a folding shirt, talcum powder.  In the other side I kept some cosmetics boxes and a table fan.






Video still

The 3D layouts for installation 



Installation plan with projectors

Installation plan with T V/ monitors





Sunday, January 18, 2015

Stuck on Step...

1 mile² Dhaka 2014, A public art project in the older part of Dhaka City
Four screen video installation
A dual channel video series 
Organized by Britto Arts Trust 
Supported by Arts Collaboratory, the Netherlands. 


















































Presently, old Dhaka is a busy space for vendors. Alongside, there are still traditional cultural practices in the daily lives of old Dhaka people. Old Dhaka is culturally different from other parts of Bangladesh. There is a cultural harmony where the people live their everyday lives. They always have different responses to the intention of visitors to the heritage buildings in old Dhaka. Some are occupied by vendors, businessmen, or settlers. My project was based on my own attention to the heritage buildings, which keep socio-cultural harmony in old Dhaka. My attention is drawn to the wooden staircases of Ruplal House, Baro Bari, Bulbul Academy for Fine Arts (BAFA), and the location of Pance Bari in old Dhaka. The project was a two-channel series of video works on some performative actions, which are taken from my own collective actions within those different places. Besides, I have achieved my own view of those places in the spirit of historical and socio-cultural aspects. Thus, I have proceeded with my temporary role in the attention of public sentiments in old Dhaka. I reactively tuned myself to the present position of old Dhaka.

 Outcome

In the double channel video series, I climbed the wooden stairs and came down, making sounds. Aside from that, the surrounding scenes (Ruplal House, Baro Bari, and Bulbul Academy for Fine Arts) were visible in these videos.

I chose Panch Bari's dark and dusty entrance for the installation of my video works, which is always open to the public.Lots of vendors were selling their commodities near the entrance of Panch Bari. During the show, everybody came to see my project, frankly. I installed the video works on both sides of the entrance room. In one corner below, I installed a two-channel video with a Tulashi tree, which belongs to Panch Bari as a traditional representation, and in another part of that entrance room, a dual-channel video series was installed, which was performed on the wooden staircases of Ruplal House, Bulbul Lalitkala Academy, and Baro Bari. I lit pradip (earthen lamps) in the evening, which represents both cultural and religious Bengali tradition.

About the Steps of Ruplal House

The first one was performed on the wooden staircases of Ruplal House, located at B K Das Lane in Farashganj. Ruplal House is a grand 19th century building or mansion in Old Dhaka. It was initially owned by Dhaka's  Armani landlord, Aratun, and later bought and erected jointly by two Hindu prosperous merchant brothers named Ruplal Das and Raghunath, sons of Swarup Chandra, on the northern bank of Buriganga, overlooking a riverfront walkway in the Farashganj district of old Dhaka. Presently it’s occupied by vendors and non-commissioned rank army people.

Bulbul Lalitakala Academy's (BAFA) Next Step

The second performance on the wooden staircases of Bulbul Lalitakala Academy Locals say British civil surgeon Dr. Weis later bought the house built by Pogose and so it is also known as Weis House. Bulbul Lalitakala Academy has been using the house since 1955.

About the Step of Baro Bari:

The third performance will be on the wooden staircase of Baro Bari, which is situated at 45 B.K. Dash Lane. It was built more than 100 years ago. Zamindar Prasanno Babu was the original owner of this residence. Presently occupied by carpenters and vendors.

About the Step of Panch Bari

Panch Bari is not announced as a heritage building, but its old building and old Hindu family traditionally belong to old Dhaka culture. The last video recorded my footsteps and followed the view of the Panch Bari area. Panch Bari means "five family home", which is over 100 years old. The businessman, Gokul Chandra Saha, and his son, Bakul Chandra Saha, developed their properties. Although a part of their family migrated to India in 1947 and 1971 at the time of the liberation war of Bangladesh. Presently, its owner, Nokul Chandra Saha, and his nephew, Modhusudan Dey, take care of the home.

Dual Channel Video Series 'Stuck on Step...' Ruplal House,  Bulbul  Lalitakala Academy and Baro Bari 


video sample

Stuck on Step... from Palash Bhattacharjee on Vimeo.


Dual Channel Video 'Stuck on Step...'Panch Bari
video sample
Stuck on Step... from Palash Bhattacharjee on Vimeo.








Image Credit: Ali Asgar
Kehkasha Sabah
And Britto Arts trust

***Old Dhaka (Puran Dhaka) is a term used to refer to the historic old city of Dhaka, the capital of modern Bangladesh. It was founded in 1608 as Jahangir Nagar, the capital of Mughal Bengal. It was one of the largest and most prosperous cities of the Indian subcontinent and the center of the worldwide Muslin trade. The Nawab of Bengal shifted the capital from Dhaka to Murshidabad in the early-1700s. With the rise of British Calcutta, Dhaka began to stagnate and came to be known as the "City of Magnificent Ruins". The British however began to develop the modern city from the mid-19th century.